Judith Mezzelstone — Hasan Malik

A work absolutely new in form, much as Laurence Sterne's "Tristram Shandy," Herman Melville's "Moby Dick," James Joyce's "Ulysses," and Franz Kafka's "The Castle" were in their respective times. Stories, not thoughts, conflating from and to the mind of its character in dizzying accesses. In this post-literature age this may not matter much.