The Bells of San Juan, the Original Classic Western Novel — Jackson Gregory

He who has not heard the bells of San Juan has a journey yet to make. He who has not set foot upon the dusty road which is the one street of San Juan, at times the most silent and deserted of thoroughfares, at other times a mad and turbulent lane between sun-dried adobe walls, may yet learn something of man and his hopes, desires, fears and ruder passions from a pin-point upon the great southwestern map. The street runs due north and south, pointing like a compass to the flat gray desert in the one direction, and in the other to the broken hills swept up into the San Juan mountains. At the northern end, that is toward the more inviting mountains, is the old Mission. To right and left of the whitewashed corridors in a straggling garden of pear-trees and olives and yellow roses are two rude arches made of seasoned cedar. From the top cross-beam of each hang three bells. They have their history, these bells of San Juan, and the biggest with its deep, mellow voice, the smallest with its golden chimes, seem to be chanting it when they ring. Each swinging tongue has its tale to tell, a tale of old Spain, of Spanish galleons and Spanish gentlemen adventurers, of gentle-voiced priests and sombre-eyed Indians, of conquest, revolt, intrigue, and sudden death. When a baby is born in San Juan, a rarer occurrence than a strong man's death, the littlest of the bells upon the western arch laughs while it calls to all to hearken; when a man is killed, the angry-toned bell pendant from the eastern arch shouts out the word to go billowing across the stretches of sage and greasewood and gama-grass; if one of the later-day frame buildings bursts into flame, Ignacio Chavez warns the town with a strident clamor, tugging frantically; be it wedding or discovery of gold or returns from the county elections, the bell-ringer cunningly makes the bells talk.