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Metis Beach — Claudine Bourbonnais
In America, not believing in God is anti-American, isn't it?
At fifty years of age, Roman Carr, whose real name is Romain Carrier, has made it. His television series In Gad We Trust, a scathing satire of the United States and its relationship with God, is a huge hit. He is carving out an enviable place for himself in Hollywood, the end of a long, tortuous journey for the man who fled his Gaspé Peninsula village in murky circumstances back in 1962.
Both a coming-of-age story and a historical epic, Métis Beach is a chronicle of the great American Sixties. It recaptures the extraordinary liberation movements and social unrest that marked that era, and vividly conveys the irrepressible idealism that carried along a whole generation. It is a celebration of the supreme good that the United States hoped to achieve: the coming of everyone's right to be free.
At fifty years of age, Roman Carr, whose real name is Romain Carrier, has made it. His television series In Gad We Trust, a scathing satire of the United States and its relationship with God, is a huge hit. He is carving out an enviable place for himself in Hollywood, the end of a long, tortuous journey for the man who fled his Gaspé Peninsula village in murky circumstances back in 1962.
Both a coming-of-age story and a historical epic, Métis Beach is a chronicle of the great American Sixties. It recaptures the extraordinary liberation movements and social unrest that marked that era, and vividly conveys the irrepressible idealism that carried along a whole generation. It is a celebration of the supreme good that the United States hoped to achieve: the coming of everyone's right to be free.
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